Wednesday, May 23, 2012

Class

    As some of you may know, I am doing a production of CHICAGO at Performance Riverside. Being a dramaturg at heart, I relish in the research of the script. I like to read about the people who wrote it, and why, and everything about the history of the production. Not only is this play based on actual events, which leads to rich research by itself, the story of how the musical version came to be is interesting.

  Gwen Verdon found the original play, she brought it to her husband Bob Fosse, she told him that this would make a great musical. Out of guilt, he pursued the project, as he felt that he owed it to Gwen. Their relationship was complicated and though Bob had many other girlfriends, they shared a daughter and they never divorced. They worked professionally together and lived apart. Bob took the play to Kander and Ebb and they collaborated on the script. Bob had also just recovered from a heart attack, and surgery and was in a deep depression. The musical numbers explore the world he knew best; vaudeville. Having played the vaudeville circuit himself,  as a teenager , he had a great love and respect for this genre which is also reflected in some of his other films.

Trying to pinpoint a theme to this show?? There are so many. Jazz (and its many meanings), Greed (and corruption), the criminal (who we make into a celebrity) and how all that stuff can backfire or not. Is it fair? no. But it happens. It's real. It doesn't hide anything.  That's why this show is so in your face.

The theme may be up for grabs, but I feel like I have a handle on how the writers felt when they were writing. The song in the second act; Class, sums it all up for me. To me, although its crass and funny, its the saddest song in the show. It gives the audience a chance to think about what they have been witnessing, both on the stage and in real life. It's a sad state of affairs sometimes. It's the place in the script where I think the writers are kinda knocking you over the head like, holding up a mirror to us. We all do it. People have lost so much.  Sometimes being good just doesn't pay off in this world. Innocence and devotion are optional. What happened?

We worked on the amazing set this week. Lets just say, I've never been up so high in the air, it's kinda exhilarating. Come and see the show!!

Sunday, May 13, 2012

Umm huh, :-)

  My brain is screaming to blog right now. It's been a while, and I promised myself not to do anything lame or uninspired...so you be the judge...(like I really care what anyone thinks)

  Chicago is an incredible musical. It is full of itself. I  have been reading a great bio of Bob Fosse,  I think that the legacy of CHICAGO is the way he wanted it. He wrote this around the time that he was recovering. He had a very dark and sarcastic wit in the script, and I think it may have been affected by the fact that he had just had open heart surgery. Yet, the irritable, short dialogue, ( at least in my part)  seems to make sense. It seems like he was saying, " just write the f*!ing script already" When I read that he was raised in Chicago, I knew then, that this was legit.
 
 He's one of my fav's ...believe it or not. I took dance history. I saw  Damn Yankee's, Kiss Me Kate and Sweet Charity. Don't get me started on Cabaret. I loved Lenny and Star 80. Truly mesmerising films. I admire Fosse, I feel him.
  
There is something....bare,.... about the way we are doing it...(the show, CHICAGO at Performance Riverside I mean :-)  That I know Fosse would have loved.

Do I think it's ironic that I learned my "When you're good to Mama" blocking on Mothers Day, and was unable to go see my own mother??? Hell to the yes! But, I had a great phone convo with the sweet thing, so it's all good. I am blessed. God is good and all is well. :-) Do I think it's slightly odd that Sophie Tucker AND Gwen Verdon , ( two women highly referenced in this show) share my birthday? Yes, and it makes me smile just a little wider.


So I leave with with these wise words;

Gotta little motto
Always sees me through
When you're good to Mama
Mama's good to you


It's called reciprocity, karma,
 you scratch my back, I'll scratch yours. Be good to your Mama.